Welcome to the innerworld of our studio

In this section, we will be releasing articles about our testings and research throughout the process of our creation.

Clay bodies commonly used in our studio

This article is a sharing of the different type of clay commonly used in our studio, witnessing how each clay react at different heating point. And mostly importantly see how different clay gives off different aesthetic.

Yu-ni (玉泥) & Electric Firing

This is a research where the said clay is fired at two different temperatures, to observe how the clay reacts to two different heating point. This piece also explores whether can electric kiln produce porcelain.

Our Studio Practice

Four Phases of Creation

01
02
03
04

Handbuilding & Trimming

Bisque Firing

Glazing

Electric Kiln Firing

Raw earth from specific geological sites undergoes meticulous washing and de-airing, preparing the iron-rich stoneware body for throwing.

Each vessel is shaped on a slow wheel, allowing the clay's natural movement to dictate the subtle, organic asymmetry of its form.

Hand-mixed mineral oxide slips are applied, anticipating the complex sancai glazes and surface textures that emerge from the kiln.

Pieces are fired in a wood-reduction kiln chamber, where atmospheric conditions and flame interaction yield unique glaze runoff and patina.